مروری بر رنگدانه‌های سنتی (بخش اول): سفیدسرب و قرمزسرب

نوع مقاله : مقاله مروری

نویسندگان

1 دانشجوی کارشناسی ارشد باستان‌سنجی، دانشکده حفاظت آثار فرهنگی، دانشگاه هنر اسلامی تبریز، تبریز، ایران، کدپستی: 5164736931.

2 استادیار، گروه مرمت و باستان‌سنجی، دانشکده حفاظت آثار فرهنگی، دانشگاه هنر اسلامی تبریز، تبریز، ایران، کدپستی: 5164736931.

چکیده

از گذشته‌های دور همواره نقاشان، کاتبان، رنگرزان و سایر هنرمندان با رنگدانه‌ها، شکل‌های مختلف هنری را خلق کرده‌اند. آغاز استفاده از رنگدانه‌ها به جوامع اولیه بشری بازمی‌گردد. رنگدانه‌ها از منظر زیبایی‌شناختی، برجسته‌سازی تمایز اشیاء و تأثیرگذاری بر افکار و احساسات انسان حائز اهمیت هستند. به‌علاوه شناسایی رنگدانه‌های سنتی در جهت اهداف حفاظتی و مرمتی، تفسیر تاریخی آثار هنری و درک تکامل هنر امری ضروری است. ازاین‌رو هدف از این پژوهش ارائه دانشی جامع در زمینۀ رنگدانه‌های سنتی است که در این گزارش، دو رنگدانه سفید سرب و قرمز سرب مورد بحث قرارگرفته‌اند. در حقیقت در این پژوهش با گردآوری مطالعات سایر پژوهشگران و بررسی دانش فعلی این حوزه به ارزیابی و دسته‌بندی این رنگدانه‌ها از منظر ساختار، کاربردها، سیر تحولی آن‌ها در طول تاریخ، فرآیند فرآوری و روش‌های سنتز، شناسایی در آثار مختلف و روش‌های شناسایی و تخریب آنها پرداخته‌شده است. براین‌اساس این مطالعه زمینۀ مطالعات آتی بر روی نمونه‌های تاریخی حاوی این رنگدانه‌ها را هموار می‌سازد.

کلیدواژه‌ها

موضوعات


عنوان مقاله [English]

An Overview of Traditional Pigments (Part I): White Lead and Red Lead

نویسندگان [English]

  • Elmira Mobasher Maghsoud 1
  • Alireza Koochakzaei 2
1 Faculty of Cultural Materials Conservation, Tabriz Islamic Art University, Tabriz, Iran, P. O. Code: 5164736931.
2 Faculty of Cultural Materials Conservation, Tabriz Islamic Art University, Tabriz, Iran, P. O. Code: 5164736931.
چکیده [English]

In the distant past, painters, scribes, dyers, and other artists have always created different forms of art with pigments. The beginning of pigment usage goes back to early human societies. Pigments are important from an aesthetic point of view, highlighting the differentiation of objects and influencing human thoughts and feelings. Moreover, the identification of traditional pigments is essential for conservation, restoration, historical interpretation of artworks, and understanding the evolution of art. Therefore, this research aims to provide comprehensive knowledge of traditional pigments, in which, in this report, two pigments, including white lead and red lead, have been discussed. Actually, in this research, by collecting the studies of other researchers and examining the current knowledge of this field to evaluate and categorize these pigments from the point of view of their structure, applications, degradation, evolution throughout history, production process furthermore the methods of synthesis, identification in different artworks and identification methods have been discussed. Accordingly, this study paves the way for future studies on historical samples composed of these compounds.

کلیدواژه‌ها [English]

  • Pigment
  • Pigment Degradation
  • Historical objects
  • Archaeometry
  • White lead
  • Red lead
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