تبیین الگوی طیف رنگی به‌کار رفته درقسمت‌های مختلف مساجد دوره قاجار

نوع مقاله : مقاله مروری

نویسندگان

1 استاد، گروه معماری و شهرسازی، دانشکده معماری و شهرسازی، دانشگاه هنر اسلامی تبریز، تبریز، ایران، کدپستی: 5164736931.

2 دانشجوی کارشناسی ارشد، دانشکده معماری و شهرسازی، دانشگاه هنر اسلامی تبریز، تبریز، ایران، کد‌پستی: 5164736931.

10.30509/jscw.2024.167310.1189

چکیده

در دوره قاجار همزمان با قرن نوزدهم در اروپا،معماری و هنر ایران وارد مرحله جدیدی شد؛ در این دوره ساختمان های مذهبی به ویژه مساجد با طرح ها و تزئینات منحصر به فرد ساخته شدند و رنگ کاشی کاری در سقف ها جزء این تزئینات بود.یکی از جنبه های مهم در طراحی مسجد این دوره استفاده هنرمندانه از رنگ و کاشکاری در ساختار سقف است.پژوهش حاضر از نوع کیفی تحلیلی-توصیفی–کیفی بـوده و راهبـرد پـژوهش مطالعـه ی جامعه آماری انتخاب شده با رویکرد تفسیری میباشد و گردآوری اطلاعات به صورت کتابخانه ای و اسنادی است . قسمت های مختلف یک مسجد میتواند به دلایل مختلف از میزان های متفاوتی از نقش و رنگ بهره ببرد.پرنقش ترین قسمت مسجد می تواند به دلیل ایجاد حس بهشت و نزدیکی به خداوند باشد و کم نقش ترین قسمت آن میتواند در جهت ایجاد حس سادگی و توجه به ذات اصلی خداوند باشد.دلایل دیگری از جمله سلیقه معمار،اقلیم شهر،منابع طبیعی موجود در هر شهر همگی در میزان نقش و رنگ هر مسجد تاثیر گذارند.

کلیدواژه‌ها

موضوعات

عنوان مقاله [English]

Explaining the Pattern of Color Spectrum Used in Various Parts of Qajar Era Mosques

نویسندگان [English]

  • Azita Balali Skui 1
  • Azar Tannah Duroudzni 2
1 Department of Architecture and Urban Planning, Faculty of Architecture and Urban Planning, Tabriz University of Islamic Arts, Tabriz, Iran, P. O. Code: 5164736931.
2 Department of Architecture and Urban Planning, Faculty of Architecture and Urban Planning, Tabriz University of Islamic Arts, Tabriz, Iran, P. O. Code: 5164736931.
چکیده [English]

During the Qajar era, parallel with the 19th century in Europe, Iranian architecture and art entered a new phase. During this period, religious buildings, especially mosques, were constructed with unique designs and decorations, and tile work played a significant role in the ceilings. During this era, one important aspect of mosque design was the artistic use of color and tile work in the ceiling structure. This qualitative analytical-descriptive research focuses on the selected statistical population and adopts an interpretive approach. Data collection was conducted through library research and document analysis. Different parts of a mosque can employ varying degrees of patterns and colors for various reasons. The most embellished part of a mosque might evoke a sense of paradise and closeness to the divine, while the least adorned part may emphasize simplicity and focus on the essence of the divine. Other factors, such as the architect's taste, the city's climate, and the natural resources available, all influence the degree of embellishment and color in each mosque.

کلیدواژه‌ها [English]

  • Tile work
  • Color Spectrum
  • Mosque Ceilings
  • Qajar Era

مراجع

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مطالعات در دنیای رنگ
دوره 14، شماره 3
مهر 1403
صفحه 205-224

فایل ها

سابقه مقاله

  • تاریخ دریافت: 11 اردیبهشت 1403
  • تاریخ بازنگری: 13 تیر 1403
  • تاریخ پذیرش: 16 تیر 1403

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