تحلیل ساختاری و نظام رنگی نگاره ساختن کاخ خورنق اثرکمال‌الدین بهزاد، هرات (942 - 865 ق)

نوع مقاله : پژوهشی

نویسندگان

1 دانشیار، گروه نقاشی، دانشکده هنر، دانشگاه الزهرا، تهران، ایران، صندوق پستی: 11155-1639.

2 کارشناسی ارشد، گروه نقاشی، دانشکده هنر، دانشگاه الزهرا، تهران، ایران، صندوق پستی: 11155-1639.

10.30509/jscw.2025.167606.1249

چکیده

کمال‌الدین بهزاد، برجسته‌ترین نگارگر ایرانی در سده‌های نهم و دهم هجری، در نگاره «ساختن قصر خورنق»، ضمن حفظ اصول سنتی نگارگری هرات، نگرشی نو در کاربرد رنگ‌های مکمل و فضاسازی واقع‌گرایانه ارائه کرده است. محور پژوهش حاضر، مطالعه و بررسی ساختاری و نظام رنگی نگاره‌ ساختن قصر خورنق است. سؤال اصلی پژوهش حاضر به این قرار است که مؤلفه‌های ساختاری نگاره ساختن قصر خورنق کدامند و چگونه در روایت داستان نقش دارند. هدف اصلی، شناسایی و تحلیل ترکیب‌بندی، به‌ویژه ترکیب رنگی و نحوه تاثیرگذاری آن بر ساختار کلی و معنای اثر است. روش تحقیق توصیفی-تحلیلی و مبتنی بر تحلیل ساختاری است یعنی تمرکز، روی صورت، محتوا و ترکیب‌بندی است. یافته‌ها نشان می‌دهد که بهزاد در این نگاره با بهره‌گیری از رنگ اُخرایی به‌عنوان رنگ غالب و تلفیق آن با طیف‌های رنگی سرد نظیر آبی، تعادل و هماهنگی دیداری پدید آورده است. گزینش رنگی بهزاد علاوه بر انسجام ترکیب‌بندی، بیانگر نگاهی فلسفی و انسان‌محور به مضمون اثر است؛ زیرا وحدت میان زمین و بنا در پیوندی معنایی با ایده فناپذیری و بازگشت به خاک قرار دارد. این پژوهش با تحلیل نظام رنگی، تلاش دارد تا از زاویه‌ای متفاوت به اثر بنگرد.

کلیدواژه‌ها

موضوعات

عنوان مقاله [English]

Structural Analysis and Color System of the Painting “Construction of the Palace of Khawarnaq” by Kamal al-Din Behzad, Herat (865–942 AH)

نویسندگان [English]

  • Elaheh Panjehbashi 1
  • Mahdieh Mirzaaghazadeh 2
1 Faculty of Art, Alzahra University, P.O. Box: 1639-11155, Tehran, Iran
2 Faculty of Art, Alzahra University, P.O. Box: 1639-11155, Tehran, Iran
چکیده [English]

Kamal al-Din Behzad, the most prominent Iranian miniaturist of the 9th and 10th centuries AH, in his painting "Constructing the Palace of Khawarnaq", offers a novel approach to the use of complementary colors and realistic spatial depiction while maintaining the traditional principles of the Herat School of painting. The central focus of this research is the structural study and color system analysis of the painting Constructing the Palace of Khawarnaq. The main research question is: What are the structural components of the painting Constructing the Palace of Khawarnaq, and how do they contribute to the narrative of the story. The primary objective is to identify and analyze the composition, especially the color scheme, and its influence on the overall structure and meaning of the artwork. The research employs a descriptive-analytical method based on structural analysis, concentrating on form, content, and composition. Findings demonstrate that Behzad, by using ochre as the dominant color combined with cool color tones like blue, creates visual balance and harmony. This color choice, beyond composing the unity of the artwork, reflects a philosophical and human-centered perspective on the theme; because the unity between the earth and the building is meaningfully linked to the idea of mortality and returning to the earth. This research aims to provide a different viewpoint on the artwork through the analysis of its color system.

کلیدواژه‌ها [English]

  • Timurids The building of the castle of Khawarnaq Kamal al
  • Din Behzad Herat School Color System Painting

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مطالعات در دنیای رنگ
دوره 16، شماره 2
شهریور 1405
صفحه 185-201

فایل ها

سابقه مقاله

  • تاریخ دریافت: 26 تیر 1404
  • تاریخ بازنگری: 12 آذر 1404
  • تاریخ پذیرش: 16 آذر 1404

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